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<span id="openzim-page-title" class="mw-page-title-main"><span class="mw-page-title-main">Circulating library</span></span>
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<div id="mw-content-text" class="mw-body-content mw-content-ltr" lang="en" dir="ltr"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><p>A <b>circulating library</b> (also known as lending libraries and rental libraries) lent books to subscribers, and was first and foremost a business venture. The intention was to profit from lending books to the public for a fee.<sup id="cite_ref-revolving_1-0" class="reference"><a href="#cite_note-revolving-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup>
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<div class="mw-heading mw-heading2"><h2 id="Overview">Overview</h2></div>
<p>Circulating libraries offered an alternative in the 18th and 19th centuries to the large number of readers who could not afford the price of new books but also desired new reading material. Many circulating libraries were perceived as the provider of sensational <a href="Novel" title="Novel">novels</a> to a female clientele but that was not always the case. Many private circulating libraries in Europe were created for scientific and/or literary audiences. In Britain, readers in the middle classes depended on these institutions to provide access to the latest fiction novels; they required a substantial subscription that many lower class readers couldn't afford.<sup id="cite_ref-Books:_A_Living_History_2-0" class="reference"><a href="#cite_note-Books:_A_Living_History-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup>
</p><p>Circulating libraries were important cultural institutions in Britain and America during the 18th and 19th centuries, affording the rising middle class access to a broad range of reading material including poetry, plays, histories, biography, philosophy, travels, and especially fiction.
</p><p>Circulating libraries were of three major types: specialist libraries; book clubs; and commercial libraries, which developed in major cities and most notably offered a wide collection of novels. Although university and college libraries flourished, as did special libraries for governments, associations, and businesses, these were still not open to the general public.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup>
</p><p>Circulating libraries rented out bestsellers in large numbers, allowing publishers to increase their earnings and authors to increase their readership. The relationship between publishers and circulating libraries was so good that publishers offered discounts to circulating libraries.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> Publishers and circulating libraries became decreasingly dependent on each other in the nineteenth century for their mutual profit. Circulating libraries also influenced book publishers to keep producing expensive volume-based books instead of a single-volume format (<i>see <a href="Three-volume_novel" title="Three-volume novel">Three-volume novel</a></i>). However, when bestselling fiction titles went out of fashion quickly, many circulating libraries were left with inventory they could neither sell nor rent out. This is one of the reasons why circulating libraries, such as <a href="Mudie's_Select_Library" class="mw-redirect" title="Mudie's Select Library">Charles Edward Mudie</a>, were eventually forced to close their doors in response to cheaper alternatives.<sup id="cite_ref-Books:_A_Living_History_2-1" class="reference"><a href="#cite_note-Books:_A_Living_History-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup>
</p><p>It is complicated to precisely define circulating libraries and specifically what separates them from other types of libraries. In the time period of circulating libraries, there were other libraries, such as <a href="Subscription_library" title="Subscription library">subscription libraries</a>, that operated in a similar fashion but were not the same.<sup id="cite_ref-revolving_1-1" class="reference"><a href="#cite_note-revolving-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Manley_6-0" class="reference"><a href="#cite_note-Manley-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> However, when both types of libraries were commonplace, the terms circulating libraries and subscription libraries "were completely interchangeable."<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> It was logical that they were considered to be the same since both libraries circulated books and charged a subscription fee. The libraries differed in their intent. Circulating libraries’ intent was financial gain, and subscription libraries intended to obtain literary and scholarly works to share with others.<sup id="cite_ref-revolving_1-2" class="reference"><a href="#cite_note-revolving-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Valentine_8-0" class="reference"><a href="#cite_note-Valentine-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup>
</p>

<p>Circulating libraries were popular in the 18th and 19th centuries and were located in large and small communities. Often, they were operated out of stores that sold other items such as newspapers and books. Sometimes they were in stores that sold items completely unrelated to books. They were often important social establishments, where users would go to see and be seen. In resort towns, they were often quite fashionable, with visitors subscribing for the season.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> The fees were for long periods of time such ranging from several months to a year. Eventually, the fees changed to daily rates to try to entice customers in some libraries.<sup id="cite_ref-Croteau_10-0" class="reference"><a href="#cite_note-Croteau-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup>
</p><p>One difference between circulating libraries and other libraries was that their collection reflected public demand, which led to larger collections of fiction.<sup id="cite_ref-revolving_1-3" class="reference"><a href="#cite_note-revolving-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Croteau_10-1" class="reference"><a href="#cite_note-Croteau-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> When circulation of a particular book decreased, it was sold. Another difference was the customers of circulating libraries were often female. These factors contributed to the popularity of circulating libraries.<sup id="cite_ref-Croteau_10-2" class="reference"><a href="#cite_note-Croteau-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> Circulating libraries were the first to serve women and actively seek out their patronage. It was not a coincidence that some of these libraries were located in millinery and stationery stores and midwives' offices.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> Circulation libraries would also employ single women, widows, and retired women.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup>
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<div class="mw-heading mw-heading3"><h3 id="Early_circulating_libraries">Early circulating libraries</h3></div>
<ul><li>1725, <a href="Allan_Ramsay_(poet)" title="Allan Ramsay (poet)">Allan Ramsay</a> opened the first circulating library in <a href="Edinburgh%2C_Scotland" class="mw-redirect" title="Edinburgh, Scotland">Edinburgh, Scotland</a>.<sup id="cite_ref-Manley_6-1" class="reference"><a href="#cite_note-Manley-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup></li>
<li>1728, the first circulating library in <a href="England" title="England">England</a> was opened by James Leake.<sup id="cite_ref-Manley_6-2" class="reference"><a href="#cite_note-Manley-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup></li>
<li>1745, year of dissolution of a circulating library operated by <a href="Samuel_Fancourt" title="Samuel Fancourt">Samuel Fancourt</a></li>
<li>1762, the first circulating library in America was opened in <a href="Annapolis%2C_Maryland" title="Annapolis, Maryland">Annapolis, Maryland</a> by William Rind.<sup id="cite_ref-revolving_1-4" class="reference"><a href="#cite_note-revolving-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></li></ul>
<div class="mw-heading mw-heading2"><h2 id="Criticism_of_circulating_libraries_and_novels">Criticism of circulating libraries and novels</h2></div>
<p>The late 18th century was when novels became commonplace. The demand for novels was high but the cost of them made them inaccessible for many. They held wide appeal because they were less complex than more scholarly types of <a href="Literature" title="Literature">literature</a>. However novels did not have an overwhelmingly popular reception.<sup id="cite_ref-novelpanic_13-0" class="reference"><a href="#cite_note-novelpanic-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup>
</p><p>Some aspects of novels were realistic, which made them appealing and relatable. The elements of novels that made them sensational and alluring were the parts that deviated from what would usually happen in reality. Society feared that people, mainly women, would not be able to differentiate between the realistic and completely fictional elements, that the novels would cause people to have unrealistic expectations of life.<sup id="cite_ref-novelpanic_13-1" class="reference"><a href="#cite_note-novelpanic-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup>
</p><p>Circulating libraries were highly criticized at the height of their popularity for being providers of novels.<sup id="cite_ref-Croteau_10-3" class="reference"><a href="#cite_note-Croteau-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-novelpanic_13-2" class="reference"><a href="#cite_note-novelpanic-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> The views about novels and their readers, sellers, and writers went beyond simple criticism to being slanderous.<sup id="cite_ref-novelpanic_13-3" class="reference"><a href="#cite_note-novelpanic-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading2"><h2 id="Publishing">Publishing</h2></div>
<p>Some circulating libraries were <a href="Publishing" title="Publishing">publishers</a> although many did not have widespread <a href="Distribution_(business)" class="mw-redirect" title="Distribution (business)">distribution</a> for the works they printed. By the end of the 18th century, they had increased the amount of fiction they published. They favored publishing works from women whereas other publishers still favored works by men.<sup id="cite_ref-Jacobs_14-0" class="reference"><a href="#cite_note-Jacobs-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup>
</p><p>It was common for people to publish their works <a href="Anonymous_work" title="Anonymous work">anonymously</a>. Circulating library publishers were known for publishing anonymous works, and it is believed that many of the ones they published were written by women. Circulating library publishers were not viewed as favorably as other major publishers since they printed works that were considered unsavory by society. People may have wanted their works to be anonymous to avoid the stigma of being associated with a publisher with a dubious reputation.<sup id="cite_ref-Jacobs_14-1" class="reference"><a href="#cite_note-Jacobs-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> By allowing for women to be published, and for works to be published anonymously, circulating libraries aided with the creation of sub-genres like the gothic novels.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup>
</p>
<div class="mw-heading mw-heading2"><h2 id="Decline">Decline</h2></div>
<p>By the beginning of the 20th century the ways people procured books had changed, and circulating libraries were no longer the favored way of obtaining them.<sup id="cite_ref-Manley_6-3" class="reference"><a href="#cite_note-Manley-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> The biggest contributor to the contraction of circulating libraries was the reduced price of books, which made them more accessible to the public, who became less reliant on circulating libraries. In an attempt to compensate for the loss of revenue, the subscription fees were lessened to daily rates down from monthly or yearly ones.<sup id="cite_ref-Croteau_10-4" class="reference"><a href="#cite_note-Croteau-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup>
</p><p>Commercial circulating libraries were still common into the 20th century, although <a href="Public_library" title="Public library">public libraries</a> becoming commonplace contributed to their decline. Another contributing factor was the introduction of <a href="Paperback" title="Paperback">paperback</a> books, which were less expensive to purchase.<sup id="cite_ref-revolving_1-5" class="reference"><a href="#cite_note-revolving-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup>
</p><p>In the UK, the retail chain <a href="WHSmith" title="WHSmith">WHSmith</a> ran a library scheme from 1860, which lasted until 1961, when the library was taken over by that of <a href="Boots_UK" class="mw-redirect" title="Boots UK">Boots the Chemist</a>. This, founded in 1898 and at one time to be found in 450 branches, continued until the last 121 disappeared in 1966.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup>
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<div class="mw-heading mw-heading2"><h2 id="References">References</h2></div>
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<li id="cite_note-Croteau-10"><span class="mw-cite-backlink">^ <a href="#cite_ref-Croteau_10-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Croteau_10-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Croteau_10-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Croteau_10-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-Croteau_10-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text"><cite id="CITEREFCroteau2006" class="citation journal cs1">Croteau, Jeffrey (2006). "Yet More American Circulating Libraries: A Preliminary Checklist Of Brooklyn (New York) Circulating Libraries". <i>Library History</i>. <b>22</b> (3): <span class="nowrap">171–</span>180. <a href="Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1179%2F174581606x158882">10.1179/174581606x158882</a>. <a href="S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a>&nbsp;<a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:144777417">144777417</a>.</cite></span>
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<li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text">Freeman, Robert &amp; Hovde, David. (2003). <i>Libraries to the People: Histories of Outreach.</i> Jefferson, NC: McFarland and Company. P. 13. <a href="ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&nbsp;<bdi>0-7864-1359-X</bdi></span>
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<li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><cite id="CITEREFBooks:_A_Living_History2011" class="citation book cs1">Books: A Living History, Martyn (2011). <i>Lyons</i>. Los Angeles: J. Paul Getty Museum. p.&nbsp;147. <a href="ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&nbsp;<bdi>978-1606060834</bdi>.</cite></span>
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<li id="cite_note-novelpanic-13"><span class="mw-cite-backlink">^ <a href="#cite_ref-novelpanic_13-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-novelpanic_13-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-novelpanic_13-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-novelpanic_13-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><cite id="CITEREFVogrinčič2008" class="citation journal cs1">Vogrinčič, Ana (2008). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150327031835/http://hrcak.srce.hr/file/49661">"The Novel-Reading Panic in 18th-Century in England: An Outline of an Early Moral Media Panic"</a>. <i>Medijska Istraživanja</i>. <b>14</b>: <span class="nowrap">109–</span>112. Archived from <a rel="nofollow" class="external text" href="https://hrcak.srce.hr/file/49661">the original</a> on 27 March 2015<span class="reference-accessdate">. Retrieved <span class="nowrap">21 November</span> 2014</span>.</cite></span>
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<li id="cite_note-Jacobs-14"><span class="mw-cite-backlink">^ <a href="#cite_ref-Jacobs_14-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Jacobs_14-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><cite id="CITEREFJacobs2003" class="citation journal cs1">Jacobs, Edward (2003). <span class="id-lock-subscription" title="Paid subscription required"><a rel="nofollow" class="external text" href="https://digitalcommons.odu.edu/cgi/viewcontent.cgi?article=1023&amp;context=english_fac_pubs">"Eighteenth-Century British Circulating Libraries And Cultural Book History"</a></span>. <i>Book History</i>. <b>6</b>: <span class="nowrap">3–</span>9. <a href="Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1353%2Fbh.2004.0010">10.1353/bh.2004.0010</a>. <a href="S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a>&nbsp;<a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:162330355">162330355</a>.</cite></span>
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<li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><cite id="CITEREFJacobs1995" class="citation journal cs1">Jacobs, Edward (1995). <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/30030093">"Anonymous Signatures: Circulating Libraries, Conventionality, and the Production of Gothic Romances"</a>. <i>ELH</i>. <b>62</b> (3): <span class="nowrap">603–</span>629. <a href="ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a>&nbsp;<a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0013-8304">0013-8304</a>.</cite></span>
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<li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://usvsth3m.com/post/did-you-know-that-until-the-1960s-boots-the-chemist-was-also-a-library">"UsVsTh3m"</a>.</cite></span>
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